日本アニメと音楽・音響ハンドブック
The Palgrave Handbook of Music and Sound in Japanese Animation
Editor: Marco Pellitteri, Associate Professor of Media and Communication at Xi’an Jiaotong-Liverpool University, China
2024:09 1,040 p. 94 illus., 43 in colour ISBN 978-981-97-0428-6
(Palgrave Macmillan / Springer) -DE-
EUR 279.99
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概要
日本のアニメは、ますます世界の観衆を魅了し、国際的なアニメ研究も盛んですが、アニメ作品の効果を高めている音楽や音響については学術的な研究はいまだ少なく、本書はその間隙を埋める初のハンドブックとして画期的です。
「サウンド・スタディーズ」が注目されている中で、音楽・音響・大衆文化研究とアニメ研究の関心を結びつける本書は、今後の国際的フィールドの広がりを方向づける一冊といえそうです。全44章にわたって、1930年代から現在までの日本アニメ（映画・テレビ）における音楽・音響・音声の発展を、理論的な基盤にもとづく多数の論考を有機的に構成して、見わたします。堀江美都子らの関係者へのインタビュー、主要作曲家・声優ガイド、用語集、参考映像・音源目録を含むのも貴重です。編者マルコ・ペッリッテーリは、イタリア語でアニメ研究書を執筆し、編著論文集Japanese Animation in Asiaもあります。本書の推薦者には、邦訳書『なぜ日本は「メディアミックスする国」なのか』で広く知られた映画研究者マーク・スタインバーグ（カナダ・コンコルディア大学教授）や『アニメーション文化55のキーワード』『ジブリ・アニメーションの文化学』などの編者である須川亜紀子・横浜国立大学教授といった著名な研究者たちが名を連ねています。
日本アニメ研究の新たな次元を切り拓き国際的に共有する本書は新たな必携レファレンスといえるでしょう。
価格照会・ご購入
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推薦文から
This is an essential handbook on sound in Japanese animation, which offers valuable resources for researchers and fans alike, and opens exciting avenues for future research on the topic. Want to read about anime’s music, songs, voice acting, and interviews with key players in the industry? This book is for you.” —Prof. Marc Steinberg, Director of the Platform Lab, Concordia University. Author of Anime’s Media Mix and co-editor of Media Theory in Japan
“This handbook is truly long-awaited, as there has never been such an ambitious and full-fledged introductory reference on music and sound in Japanese animation. It gives us a first unified overview of the music, songs, voice acting, sound effects, and the music industry that surround Japanese animation. The interviews with prominent anime music and song composers, anime song singers, and anime directors are also extremely valuable. It will be a must-read basic reference for anyone interested in this field.” —Prof. Akiko Sugawa-Shimada, Yokohama National University. Guest editor of Mechademia Second Arc, 15:2, “2.5d culture” and Co-editor of Animation bunka 55 no keywords (‘55 keywords of animation culture’), and Giburi Animation no bunkagaku (‘Cultural studies on the animation of Studio Ghibli’)
収録内容
※より詳細な目次および序文が版元サイトでご覧になれます（PDFファイル）。
Foreword.
Birth and Structure of the Handbook
Marco Pellitteri
Acknowledgements
Editorial Note
Introduction.
Tool Kits / 0: Presenting Japanese Animation and a Summary of Selected Sources on Music and Animation
Marco Pellitteri
Part I: Early History, Theoretical Framing, and Practice of Music and Sound in Japanese Animation
- Tool Kits / 1:
Hearing Moods, Emotions, Pictures.
A Basic Overview on the Rhetoric of Music
Marco Bellano
- Tool Kits / 2:
Key Concepts of Music Language in Anime
Emilio José Cano Pérez
- Tool Kits / 3:
A Short Outlook of Anison from 1963 to the 21st Century
Hideyuki Kitaba and Anita Drexler
- Tool Kits / 4:
Mapping Anime’s Voice Acting Industry
Aki Yamasaki
- Early History / 1:
Introducing European Music to Meiji Japan
Tōru Takenaka
- Early History / 2:
The Early Period of Music in Japanese Animation. From the 1930s to the Advent of Tōei Dōga (1956)
Yōhei Nagato
- Early History / 3:
Shifting Practice, Industry, and Ideology
in the First Decade of TV Anime Songs
(1962–1972).
From Torirō Miki to Michiaki Watanabe
Yūsuke Wajima
Part II: Music and Sound for Animation in Japan from the 1970s to the 2010s
- Scoring Japan’s Pasts and Futures / 1:
Legends, Folklore, Monsters, and Historical Drama
Stacey Jocoy
- Scoring Japan’s Pasts and Futures / 2:
Drama, Trauma, and Sonic Eclecticism in Mainstream Music Scores for Giant Armour-Themed and SF Animated Series of the 1970s
Marco Pellitteri
- Scoring Japan’s Pasts and Futures / 3:
The Soundtrack of Shunsuke Kikuchi for UFO Robo Grendizer. Composition and Selection Criteria
Florian Guilloux
- Transcultural Musical Encounters / 1:
Jō Hisaishi and Yūji Nomi. Variation, Citation, and Emulation
Marco Bellano
- Transcultural Musical Encounters / 2:
A Cultural History of Dvořák’s Largo from Meiji Era to Anime
Heike Hoffer
- Transcultural Musical Encounters / 3:
Kōji Morimoto, Yōko Kanno, and the Zagreb School of Animation’s Legacy
Irena Paulus
- Transcultural Musical Encounters / 4:
The Power of Alternative Music in Japanese Animation. Can the Beats and Vibes of Anime Change the World?
Toshiya Ueno with Marco Pellitteri
- Authorship in Music and Sound Design / 1:
Isao Takahata and His Music Direction
Kunio Hara
- Authorship in Music and Sound Design / 2:
Geinō Yamashirogumi and Akira
Hideko Haguchi
- Authorship in Music and Sound Design / 3:
The Music and Method of Kenji Kawai
Aki Yamasaki
- Authorship in Music and Sound Design / 4:
Kōji Yamamura and Satoshi Kon
Hyewon Shin
- Authorship in Music and Sound Design / 5:
Tenmon and His Music for Makoto Shinkai’s Films
Maria Mihaela Grajdian
- Authorship in Music and Sound Design / 6:
Four Outstanding Cases in the Anime Industry, 1995–2016
Rose Bridges
- Extra-Musical Sonic Environments / 1:
Voice Actresses Performing Boy Characters. Historical, Political, Social, and Cultural Significance in Postwar Japan
Minori Ishida
- Extra-Musical Sonic Environments / 2:
Sonic Embedment and Spatial “Worlding”. Soundscapes, Psychoacoustics, and Post-Human Sonics in Shinseiki Evangelion
Philip Brophy
Part III: Musics, Songs, and Voices for Japanese Animation beyond Japan
- Re-written Songs, Musics, and Dubbing for Anime / 1: United States
Laurence Green
- Re-written Songs, Musics, and Dubbing for Anime / 2: Italy
Dario Martinelli
- Re-written Songs, Musics, and Dubbing for Anime / 3: Philippines
Herb L. Fondevilla
- Re-written Songs, Musics, and Dubbing for Anime / 4: Indonesia
G. Benardi Darumukti
- Re-written Songs, Musics, and Dubbing for Anime / 5: Latin America
Rolando José Rodríguez De León
- Re-written Songs, Musics, and Dubbing for Anime / 6: Four Outstanding Cases in Europe and the United States
Michael W. Harris, Marco Pellitteri, Clothilde Sabre, and Piero Trellini
- Re-written Songs, Musics and Dubbing for Anime / 7: Finland
Eija Niskanen
- Re-written Songs, Music, and Dubbing for Anime / 8: Cultural Strategies of Anime’s Re-dubbing in Italy, France, Germany, and Spain
Fabio Bartoli
- Anime’s Impact on Pop Music in the Two European Leading Markets / 1: France
Clothilde Sabre
- Anime’s Impact on Pop Music in the Two European Leading Markets / 2: Italy
Fabio Bartoli
Part IV: Interviews, Supplemental Essays, Appendixes
- Brief Guide on Sound Design in the Anime Industry
Guido Tavassi
- Isao Tomita and His Collaborations with Osamu Tezuka: Music’s Versatility Between Crosscultural Epigonism and Ultimate Mastery
Maria Mihaela Grajdian
- Ambiguities of Post-dubbing in the United States
Michael W. Harris
- Interview with Shunsuke Kikuchi
Marco Pellitteri
- Interview with Michiaki Watanabe
Yūsuke Wajima and Marco Pellitteri
- Interview with Mitsuko Horie
Marco Pellitteri and Yūsuke Wajima
- Interview with Kentarō Anai
Yūsuke Wajima and Marco Pellitteri
- Conversations with Four Outstanding Animators: What They Have to Say
Marco Pellitteri
- Interview with Takuya Imahori
Marco Pellitteri
- Interview with Kenji Kawai
Marco Pellitteri and Aki Yamasaki
- Appendix 1: The Main Music Score Composers in the History of Anime
Guido Tavassi
- Appendix 2: The Main Vocal Performers in the History of Anison
Anita Drexler, Yukari Fujishita, Hideyuki Kitaba, and Sena Yoshimura
- Appendix 3: Historic Composers for Animation in Japan, 1920s–1950s
Afterword
Marco Pellitteri
Glossary
Marco Bellano, Laurence Green, Kunio Hara, Marco Pellitteri, Tōru Takenaka, and Guido Tavassi
Editor and Contributors
Filmography and Videography
Index
（学術洋書部）
