ラウトレッジ版 アジア映画必携
The Routledge Companion to Asian Cinemas (Routledge Media and Cultural Studies Companions)
Editors: Zhen Zhang (New York University), Debashree Mukherjee (Columbia University) , Intan Paramaditha (Macquarie University) & Sangjoon Lee (City University of Hong Kong)
2024:06 570 p. 46 illus. ISBN 978-1-032-19940-5 GBP 205
(Routledge) -GB-
概要
日本映画や韓国映画が米アカデミー賞でも続けてノミネートや受賞に輝くなど、グローバル時代の世界映画の中でも、アジア映画は注目を集め続けています。
本書は、国内外で映画・メディア研究と地域研究の接点で活力あるフィールドである、アジア映画研究の最新の風景を見わたす全46章です。日本関連では、米国で活躍する宮尾大輔（カリフォルニア大学サンディエゴ校教授）による1940年代の日本の政治経済的な文脈における「アジア映画」の位置を問う章、また日本に長く暮らし日本文化および日本映画の海外への紹介者として高名だった故ドナルド・リチーの仕事についての章を含みます。北朝鮮、バングラデシュ、インドネシア、マレーシア、タイ、カンボジアなどの通常紹介されない国々の映画事情に触れられるのも本書の特長です。
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内容明細
Introduction: Trans-Asian Cinemas at Home in the World
SECTION I: Cine-Activism & Feminist Aesthetics
Introduction Zhen Zhang
1. Film Societies and the Screen within the Crowd in Bangladesh Lotte Hoek
2. Genres of Ecofeminism: Women Filmmakers in India and the Environment Sangita Gopal
3. Rewriting History, Changing the Story: An Interview with Anocha Suwichakornpong Graiwoot Chulphongsathorn
4. Riding the Waves: An Interview with Yim Soon-Rye Shin Chi-yun
5. Through the Lens of South Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) Hyun Seon Park
6. Transnational Women’s Cinema in Southeast Asia: The Case of Marlina The Murderer in Four Acts Intan Paramaditha
7. Taiwan Queer Cinema, Marriage Equality, and Homo(trans)nationalism Shi-yan Chao
8. Love In Pacific Time: Asian Screen Culture in Vancouver Helen Leung
SECTION II: Mediating Colonial, National and Trans-Asian Imaginaries
Introduction Debashree Mukherjee
9. What Is “Asian Cinema” in Japan? Film and Political Economy in the 1940s Daisuke Miyao
10. Filming Taiwan Between a Quest for Artistic Purity and Propaganda in the People’s Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004) Zhuoyi Wang
11. In the Name of Love: Screen Representations of Taiwanese Indigenous People (1920s-1940s) Ting-wu Cho
12. Desiring Nanyang, Nation, and Home: Fictions of Belonging in Two Rediscovered Post-war Films from Singapore Elizabeth Wijaya
13. Where is Shangri-La? Imagining Kathmandu in Film Dikshya Karki
14. Affective-Scap/ing in Zhang Lu’s Inter-Asian Quartet Ma Ran
15. Postcards from Russia: Left Discourse and Telugu Cinema C. Yamini Krishna
SECTION III: Trans-border Industrial Cultures: Imagined Audiences and Diasporic Dreams
Introduction Debashree Mukherjee
16. Media Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat) Material Imaginaries of Territory Alexander Zahlten
17. Looking Out and On the Move: Aesthetics of Infrastructure in Recent Singapore Cinema Gerald Sim
18. North Korea’s International Co-production Ventures: Nation and the Post-national Hyanjin Lee
19. Trans-Asian Circuits of Cinema and Media Exchange Between Australia and Asia Olivia Khoo
20. Global Stories, Local Audiences: Dubbing Netflix in India Tejaswini Ganti
21. Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the Digital Platform Era Dal Yong Jin
22. Exile at the Edges: Donald Richie at the Pinch Point between Japan and the World Markus Nornes
23. Trans-Pacific Connection and Cine Nikkei in Peru: A Conversation Jimena Mora and Talia Vidal with Zhen Zhang
SECTION IV: Beyond Genre: Modes, Motifs, Memories
Introduction Intan Paramaditha
24. The Melodramatic Mode in Asian Cinema: Usmar Ismail’s Lewat Djam Malam (After the Curfew) Stephen Teo
25. Bong Joon-ho’s Parasite as a Remake of Kim Ki-young’s The Housemaid: Creating an Aesthetic Genealogy within South Korean Cinema Christina Klein
26. Melting the Iron Curtain: Metal-morphosis and the Caricatured Western Leaders in Agitprop Animation in Socialist China, 1949-1965 Daisy Yan Du
27. The “Mirrored” Cultural Revolution – The Geo-political Making of Apolitical Hero in Chang Cheh’s The Assassin Raymond Tsang
28. Listening to Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno, 2011) Philippa Lovatt
29. Global Aspirations/ Local Affilations: Exploring the tensions of “Post-Crisis” Thai Cinema, 1997-2004 Rachel Harrison
30. Revisiting the Face Veil in Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic Filmmaking Alicia Izharuddin
31. Karma-Image; Insight-Image: On Buddhism and the Cinema Victor Fan
32. Personality and Morality in Screen Performance: Hong Kong Film Criticism and Social Reform of the 1920s Enoch Yee-lok Tam
SECTION V: Independent Practice: Networks, Labor, and Voices at the Margins
Introduction Intan Paramaditha
33. ‘Still Doing It Themselves, With a Little Help from Friends’: Independent Filmmaking in Malaysia Two Decades Hence Gaik Cheng Khoo
34. Slippers Outside the Door: An Annotated Interview with Tan Pin Pin Sophia Siddique
35. Let’s Love Hong Kong: Hyper-density, Virtual Possibility, and Queer Women in Hong Kong Independent Film Arnika Fuhrmann
36. Care in Filming, Change by Love Shuting Li
37. Domestic temporalities and film practice: Los Otros, Quezon City and Forum Lenteng, Jakarta Jasmine Trice
38. Unstable Pixels, Modular Selves: Digital Subjectivity in Chinese Independent Animations Jinying Li
39. Experimentation and Transnational Influences: Documentary Film in Post-Authoritarian Indonesia Eric Sasono
40. Filming Resistance: A Conversation with Deepa Dhanraj Fatima Nizaruddin
SECTION VI: Archives, Festivals, and Film Pedagogy
Introduction Sangjoon Lee
41. Festivalizations and Cultural Constructions of “Asian Cinema” Anne Ciecko
42. Curating the City: 10 Years of the Urban Lens Documentary Festival in Bangalore Subasri Krishnan
43. To Be Continued: Women Make Waves Beth Tsai
44. Film Festival Journeys – Past, Present, Future: A Conversation with Roger Garcia Thong Kay Wee
45. Reflection on Film Restoration, Acculturatie and Democracy – The Case Studies of Lewat Djam Malam and Aladin Lisabona Rahman
46. Thai Film Archive and Early Thai Queer Cinema Sanchai Chotirosseranee and Atit Pongpanit
（学術洋書部）
