西洋音楽の文化史（全6巻）
A Cultural History of Western Music
General Editor: David R M Irving, ICREA & Institucio´ Mila` i Fontanals de Recerca en Humanitats, CSIC, Spain & Alexander Rehding, Fanny Peabody Professor of Music at Harvard University
2023:11 6 vols. 1,712 p. 300 illus. set ISBN 978-1-350-07563-4 (Bloomsbury Academic) -GB-
GBP 440.00
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概要
音楽は、芸術の一ジャンルにとどまらず、社会、宗教、政治、教育、娯楽など、人間文化のあらゆる場面で重要な役割を演じてきました。音楽への分野を越える文化史的なアプローチが近年盛り上がりを見せています。
英Bloomsburyの定評ある「文化史」シリーズに加わった本書は、50名を超える専門家の執筆協力にて、世界的に広まった西洋音楽の歩みを古代から現代まで、クラシックからポピュラーまであらゆる形態を包摂し、「文化」全体の相の下に捉える、画期的な通史です。時代別の全6巻（古代 / 中世 / ルネサンス / 啓蒙の時代 / 産業の時代 / 現代 ）は各巻に共通の章立て（1. 社会 / 2. 哲学 / 3. 政治 / 4. 交流 / 5. 教育 / 6. 大衆文化 / 7. 演奏 / 8. 技術 ）で、時代や分野を越える音楽の主要テーマの軸に沿った比較に適しています。各巻に序文、注記、書誌、索引を含み、約300点の豊富な図版も視覚的に理解を助けます。
芸術、歴史、教育などの幅広い分野で興味を惹く参考図書として、おすすめいたします。
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各巻収録内容・編者・寄稿者明細
Vol. 1: A Cultural History of Western Music in Antiquity
Edited by Sean A. Gurd and Pauline A. LeVen
Introduction: Ancient Music, Then and Now (Sean Gurd and Pauline LeVen)
1. Society: Culture, Cohesion, and Crisis (Lauren Curtis)
2. Philosophies: Musical Knowing (Tom Phillips)
3. Politics: Musical Symbols and Civic Rhythms (Sarah Olsen)
4. Exchange: Music Between Species and Culture (Sean Gurd)
5. Education: Myth, Ritual, and Socialization (Carolyn Laferrière)
6. Popular Culture: At the Festival (Hanna Golab)
7. Performance: Ghosts, Identity, Ontologies (Pauline LeVen)
8. Technologies: From Minds to Machines (Sean Gurd and Pauline LeVen)
Vol. 2: A Cultural History of Western Music in the Middle Ages
Edited by Elizabeth Eva Leach and Helen Deeming
Introduction: Music Defined and Distributed in the Western Middle Ages (Elizabeth Eva Leach and Helen Deeming)
1. Society: Practicing Music under Ecclesiastical Dominance (Nils Holger Petersen)
2. Philosophies: Cosmos and Politics, Harmony and Disharmony (Andrew Hicks and Jonathan Morton)
3. Politics: Courts, Conquests, and Crusades (Helen Deeming)
4. Exchange: Liturgical Reform, Pilgrimage, and Saints’ Cults (Rebecca Maloy)
5. Education: Growing Up In Music (Susan Boynton and Anne Levitsky)
6. Popular Culture: In Search of Lost Practices (Meghan Quinlan and Joseph W. Mason)
7. Performance: On Absent Sounds, Notes, and Words (Anna Zayaruznaya)
8. Technologies: Instruments and Notation (David Catalunya)
Vol. 3: A Cultural History of Western Music in the Renaissance
Edited by Jeanice Brooks and Richard Freedman
Introduction: Mobilizing Music (Jeanice Brooks and Richard Freedman)
1. Society: Music, Musicians, and the Renaissance Social Order (Kirsten Gibson)
2. Philosophies: The Crisis of Musical Knowledge (Melinda Latour)
3. Politics: Staging Power (Vincenzo Borghetti and Tim Shephard)
4. Exchange: Conduits, Objects, and Earwitnesses (Evan A. MacCarthy)
5. Education: Music Among the Challenges of Early Modernity (Daniele V. Filippi)
6. Popular Culture: Three Cases and Some Observations (Remi Chiu)
7. Performance: Expression, Emotion, and Identity (Jeanice Brooks)
8. Technologies: Music, Art, and Techne in the Renaissance,(Richard Freedman)
Vol. 4: A Cultural History of Western Music in the Age of Enlightenment
Edited by David R.M. Irving and Estelle Joubert
Introduction: Musicking in the Age of Enlightenment (David R.M. Irving and Estelle Joubert)
1. Society: Music and Community (Estelle Joubert)
2. Philosophies: Making Sense of Vibration (Roger Mathew Grant)
3. Politics: Music and the Law (Rebekah Ahrendt)
4. Exchange: Musical Transactions Around the World (David R.M. Irving)
5. Education: Forming Musical Identities (Stephen Rose)
6. Popular Culture: Let’s Use Scare Quotes (Elisabeth Le Guin)
7. Performance: On and Off the Page (Geoffrey Burgess)
8. Technologies: Musical Media of Enlightenment (Rebecca Cypess)
Vol. 5: A Cultural History of Western Music in the Industrial Age
Edited by Alexander Rehding and Naomi Waltham-Smith
Introduction: Toppling Romanticism (Naomi Waltham-Smith and Alexander Rehding)
1. Society: Unthinking Musical History (Benjamin Walton)
2. Philosophy: The Rise of Materiality (Michael Gallope)
3. Politics: The Unexceptional Politicking of Labor, Enjoyment, and Obstruction (Naomi Waltham-Smith)
4. Exchange: The Geopolitics of Ethnographic Recordings, Music, and Sound (Ana M. Ochoa Gautier)
5. Education: Discipline and Delight (Laura Tunbridge)
6. Popular Culture: Whose Music? What People?, (Adrian Daub)
7. Performance: Making Music Manifest (Roger Moseley)
8. Technology: Composing in Sounds (Alexander Rehding)
Vol. 6: A Cultural History of Western Music in the Modern Age
Edited by William Cheng and Danielle Fosler-Lussier
Introduction: The Stories We Hope to Share, William Cheng
1. Society: Global Trajectories and the Universal-Particular Paradox (Hyun Kyong Hannah Chang)
2. Philosophy: Theosophy and Esoteric Musical Modernism (Anna Gawboy)
3. Politics: Music, Nation States, and the “Small World” in the Long Twentieth Century (Danielle Fosler-Lussier)
4. Exchange: Modernist Approaches across Oceans and Borders (Marysol Quevedo)
5. Education: Children’s Music and Visions of Citizenship (Anicia Timberlake)
6. Popular Culture: Musical Performance as Cultural Activism ( Ellie M. Hisama)
7. Performance: The Changing Norm of Musical Practice in Everyday Life (Stephanie Jensen-Moulton)
8. Technology: Media, Myths, and Movements (Penny Brandt and Rob Deemer)
（学術洋書部）
